Teatro Experimental de Cali's "Proyecto piloto" posits a question: what if Death ruled the world? In order to probe an answer, this play explores a dark underbelly of disgusting creatures and diverse representations of death, mainly skeletons and ghosts. Instead of a majestic Death governing human destinies, we have four unimportant deaths that defend their petty interests amid the chaos surrounding them. These different "Deaths" fight to build their new order and advance their clearly absurd projects in an equally absurd manner. They are all fighting in a dark and damp hole, trying to profit from chaos and confusion. The grotesque, tragicomic nonsense of the play evokes the nightmare and violence of Colombian politics at the end of the '80s, the years of "Guerra Sucia."