Résistez à l'impulsion de traduire ce mot, prononcez-le d'abord. Pensez consciemment au son qu'il émet. Laissez l'arc dur rouler sur le ah qui, de manière automatique, engage la dépression de la langue, autorisez le sifflement du s qui culminera à l'avant des dents pour inciter la mâchoire à tomber pour prononcer le son an tout en dé-claquant les lèvres, ce qui propulsera le bl à l'orée de la dépression du ah de nouveau, en terminant par j. Jouez avec ses contours. Sachez ce que ce mot peut faire ressentir. Dans votre bouche. En Kreyòl haïtien. 3 syllabes. Ra-San-Blaj.
Atlantic Ontologies: On Violence and Being Human
Professing Slackness: Language, Authority, and Power Within the Academy and Without
Puerto Rican Rasanblaj: Freddie Mercado's Gender Disruption
From Bush to Stage: The Shifting Performance Geography of Haitian Rara and Cuban Gagá
We Have No Recipes for the Foods of the Future
Moments of Redemption: Decolonization as Reconstitution of the Body of Katari
Groundings on Rasanblaj with M. Jacqui Alexander
El Ciervo Encantado. Performance, Space, and the Political in El Ciervo Encantado
Spectres of l'Ouverture. A Ghost Is Haunting Your Museum: The Ghost of Black Copenhagen
Blesi Doub. Heridas Dobles. Dual Wounds.
a despot walks into the killing field
Into the Invisible: A Conversation-Performance Rasanblaj with Josefina Baez
Transnationalism and Manuel Ramos Otero's "Traveling Theater" of Return
Fe Yon Rasanblaj: A Body Portal Fantasy Book
Enacting Dissent: Toward a Cartography of Dissenting Performatics in the Greater Caribbean
Remaking Fractal Engagement: 6 Perspectives
little sister: A Black Speculative Solo-Performance
The Laboratory of Speculative Ethnology: Suits of Inquiry
Dedouble and Jeanguy Saintus' Corporeal Gifts
Caribfunk: A Mélange of Caribbean Expressions in a New Dance Technique
Assemblage, Rasanblaj: The Making of Sable International
Omens of Adversity: Tragedy, Time, Memory, Justice by David Scott
Tropic Tendencies: Rhetoric, Popular Culture, and the Anglophone Caribbean by Kevin Adonis Browne
Pordioseros del Caribe por Johan Majail
In Visible Movement: Nuyorican Poetry from the Sixties to Slam by Urayoán Noel
Vodou et théâtre populaire par Franck Fouché
Skin Acts: Race, Psychoanalysis, and the Black Male Performer by Michelle Ann Stephens
Island Bodies: Transgressive Sexualities in the Caribbean Imagination by Rosamond S. King
Citizenship from Below: Erotic Agency and Caribbean Freedom by Mimi Sheller
Teatro militante. Radicalización artística y política en los años 70 por Lorena Verzero
Performing Archives/Archives of Performance edited by Gundhild Borggreen and Rune Gade
Un haití dominicano. Tatuajes, fantasmas y narrativas bilaterales por Alanna Lockward
Gender and Violence in Haiti: Women's Path from Victims to Agents by Benedetta Faedi Duramy
Blacks in Blackface: A Sourcebook on Early Black Musical Shows by Henry T. Sampson
Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age by Lara Putnam
Racial Experiments in Cuban Literature and Ethnography by Emily A. Maguire
Islands of Empire: Pop Culture and U.S. Power by Camilla Fojas
Gatherings: María Magdelena Campos-Pons and the Art of Recovery
La cautiva written by Luis Alberto León and directed by Chela de Ferrari