Resista ao impulso de traduzir, comece por pronunciar. Pense conscientemente no som. Deixe o arco do r rolar sobre o ah que automaticamente faz com que a língua pouse, permita que o silvo do s que culminará na frente dos dentes seduza o maxilar a relaxar num som an, ao mesmo tempo que o des estalar dos lábios impulsiona o bl que circunda o ah outra vez pousado e acabando no j. Jogue com os contornos. Sinta a sensação dessa palavra na sua boca. Em kreyòl haitiano. 3 sílabas. Ra-San-Blaj.
Ontologias Atlânticas: Sobre Violência e Ser Humano
Professing Slackness: Language, Authority, and Power Within the Academy and Without
Puerto Rican Rasanblaj: Freddie Mercado's Gender Disruption
From Bush to Stage: The Shifting Performance Geography of Haitian Rara and Cuban Gagá
No tenemos recetas para los alimentos del futuro
Moments of Redemption: Decolonization as Reconstitution of the Body of Katari
Groundings on Rasanblaj with M. Jacqui Alexander
El ciervo encantado. Performance, espacio y lo político en el ciervo encantado
Blesi Doub. Heridas Dobles. Dual Wounds.
Spectres of l'Ouverture. A Ghost Is Haunting Your Museum: The Ghost of Black Copenhagen
a despot walks into the killing field
Into the Invisible: A Conversation-Performance Rasanblaj with Josefina Baez
Transnationalism and Manuel Ramos Otero's "Traveling Theater" of Return
Fe Yon Rasanblaj: A Body Portal Fantasy Book
Enacting Dissent: Toward a Cartography of Dissenting Performatics in the Greater Caribbean
Remaking Fractal Engagement: 6 Perspectives
little sister: A Black Speculative Solo-Performance
The Laboratory of Speculative Ethnology: Suits of Inquiry
Dedouble and Jeanguy Saintus' Corporeal Gifts
Caribfunk: A Mélange of Caribbean Expressions in a New Dance Technique
Assemblage, Rasanblaj: The Making of Sable International
Omens of Adversity: Tragedy, Time, Memory, Justice by David Scott
Tropic Tendencies: Rhetoric, Popular Culture, and the Anglophone Caribbean by Kevin Adonis Browne
Pordioseros del Caribe por Johan Majail
In Visible Movement: Nuyorican Poetry from the Sixties to Slam by Urayoán Noel
Vodou et théâtre populaire par Franck Fouché
Skin Acts: Race, Psychoanalysis, and the Black Male Performer by Michelle Ann Stephens
Island Bodies: Transgressive Sexualities in the Caribbean Imagination by Rosamond S. King
Citizenship from Below: Erotic Agency and Caribbean Freedom by Mimi Sheller
Teatro militante. Radicalización artística y política en los años 70 por Lorena Verzero
Performing Archives/Archives of Performance edited by Gundhild Borggreen and Rune Gade
Un haití dominicano. Tatuajes, fantasmas y narrativas bilaterales por Alanna Lockward
Gender and Violence in Haiti: Women's Path from Victims to Agents by Benedetta Faedi Duramy
Blacks in Blackface: A Sourcebook on Early Black Musical Shows by Henry T. Sampson
Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age by Lara Putnam
Racial Experiments in Cuban Literature and Ethnography by Emily A. Maguire
Islands of Empire: Pop Culture and U.S. Power by Camilla Fojas
Gatherings: María Magdelena Campos-Pons and the Art of Recovery
La cautiva written by Luis Alberto León and directed by Chela de Ferrari